What explains the quick acknowledgment to aplomb in the art market?
This month, a painting by Picasso, “Nude, Green Leaves and Bust,” became the best big-ticket painting anytime awash at an bargain back it exceeded expectations to back $106.5 actor at Christie’s. In February, a carve by Giacometti, “Walking Man I,” awash for $104.3 actor at Sotheby’s, ambience the antecedent apple almanac bargain price.
What accounts for these bargain prices? Are investments in bays art any altered from investments fabricated in an appointment esplanade or a sports team?
* Denis Dutton, assistant of aesthetics of art
* Eileen Kinsella, editor of ARTnewsletter
* Donald Kuspit, art historian
* Kathryn Graddy, economist
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Wednesday, May 26, 2010
Blog Archive
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2010
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May
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- It’s a Bird, It’s a Plane, It’s the Mayor of New York
- In Cleveland, a Frenzy to Prepare Antiquities
- Can Art Be ‘Priceless’ in Rocky Times?
- The Joys of Jumpology
- It Was a Royal Pain, but It Ended Well
- Picasso nabbed in $123M Paris museum heist
- Turning 70, With Stars and Strobes
- Catholic Museum’s Angels Fail to Save It
- A 70th-Birthday Gala, With Stars and Strobes
- Dreamers of Dreams
- At the Met, Portraits of Grief, Written in Stone
- Who Draws the Borders of Culture?
- Rescuing Art From the Rubble of the Quake
- At $106.5 Million, a Picasso Sets an Auction Record
- Artworks by Julia
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May
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